It’s a theme-park-out-of-control tale (one Crichton is familiar with, having previously written Westworld), and one that instills life lessons through the use of terrorizing monsters. “Life will not be contained,” remarks Malcolm. “Life finds a way.” Several quotable speeches later, audiences are reminded that messing with mother nature, taking the role of god, and raping the natural world leads to chaos – Malcolm goes further by explaining Chaos Theory and relates Hammond’s park to a kid who has found his dad’s gun. Not respecting the power and intelligence (in this case prehistoric hulks) or the unpredictable quality of life results in disaster; control may be the illusion, but it’s a whole lot of fun making the mistake.
A great blend of CG and enormous animatronic puppets breathes life into some of the most mortifying and believable dinosaurs in movie history. Constant foreshadowing, unequalled suspense, action-packed chase sequences, appropriate drama and even unexpected predicaments (such as electrified fences and reckless cars) add to the awe of dino mayhem. Spielberg trademarks, including a distaste for kids and their inclusion in scary situations, comic relief quips from nearly every character, an antagonist human (aren’t the dinosaurs enough?) and John Williams’ stupendous score make their way into Jurassic Park, forever denoting this as one of the best films from an already spectacular director.
- Mike Massie
Click HERE to read the review of The Lost World: Jurassic Park
Click HERE to read the review of Jurassic Park III