Now a burned out and
worn out cop on suspension, Willis’ McClane has a more carefree,
less determined outlook on vigilantism, yet he is still the only
one intelligent enough to solve the crime. Drawing him into his
games, Simon is apparently not familiar with McClane’s ingenious
tactics from the first two films. McClane is still very much a hero
even though his appearance has drifted into the anti-hero side of
the spectrum. Added to the fray is Samuel L. Jackson who perfectly
balances and complements Willis’ gung-ho warrior. Jackson
brings a certain level of dark humor to the film with his constant
sarcastic and cynical quips, although the script surprisingly never
goes overboard. A buddy-cop feel is also instilled because they
depend on one another to survive and share nearly equal screen time.
Not as lighthearted or comical as Lethal Weapon, the pairing is
still highly entertaining.
The villain Simon Gruber is a step in the right direction, improving
vastly from the second film. However it seems that no one can
top Alan Rickman's Gruber, and while Jeremy Irons is memorable,
he is surrounded by dreadfully stereotypical henchmen, including
the psychotic blonde with an uncontrollable desire for bloodshed.
The action is impressive, and the suspense is even greater due
to the riddles and the race-against-time element introduced with
bombs rapidly counting down. Car chases, fistfights and gun battles
keep things in motion, and the plot itself is surprisingly complex.
Most often the stories behind action films are bland and serve
merely as a backdrop for ridiculous stunt sequences piled back
to back, but with a little deception, double-crossing and misguidance,
the audience gets to solve the mysteries alongside McClane.
The Christmas theme is completely dissolved this time around,
but the “Yipee Ki Yay” is still at the ready. Fast-paced,
utterly thrilling, and with a tinge of racial comedy from Samuel
Jackson’s smart-mouthed sidekick, Die Hard with a Vengeance
packs as much punch as the second, and supersedes it in its welcome
complexity and intriguing villain power. No one can argue that
waiting for the inevitably “hard” deaths of the villains
is an entertaining event and thanks are in order to the return
of director John McTiernan and his explosive vision for this classic
action trilogy.
- Mike Massie
DIE HARD
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