“Jesus Henry Christ” is preposterous, pretentious, venomous, and maddeningly unclear about what it wants to say and how it wants to say it. Much like the philosophy of art for art’s sake, the film’s quirkiness has no intrinsic value; it’s weird simply for the sake of being weird. We’re tempted to think that it takes a moral position, given the narrative usage of feminism, militant antiestablishment rhetoric, atheism, racial and gay intolerances, nontraditional family values, and the rewards and deficits that come from being a genius. In fact, the story is divorced from pretty much any sense of morality; all the beliefs listed above are not examined convincingly and are included primarily to be made fun of. In spite of all this, the film ends on such a mechanically upbeat note that it might as well have served as the ending to a sitcom episode.
Adapted by writer/director Dennis Lee from his own student film, “Jesus Henry Christ” tells the story of Henry James Herman (Jason Spevack), who was conceived in a Petri dish and born to an activist mother named Patricia (Toni Collette), with whom he’s on first-name terms. At nine months old, he was already able to speak complete sentences. At five, he was expelled from kindergarten for questioning the point of telling the teacher a word that begins with Y. Now at age ten, he has been expelled from a Catholic high school for heresy, having caused a riot after self-publishing a manifesto proclaiming that there is no God. A straight-A student, he remembers absolutely everything he sees and hears. He can speed read an entire book in a matter of minutes and can quote entire passages; he can even tell you what page and paragraph the passage was on.
He narrates a lengthy flashback sequence in which he details his mother’s family. It’s during this sequence in which Lee demonstrates how wildly wrong he is in what he believes is funny. On her tenth birthday, Patricia (Hannah Brigden) witnessed her mother burn to death when she tried to light the candles on the cake; her sleeve caught fire, and her husband tried to dowse them out with his glass of booze. Over time, Patricia endured the deaths of most of her brothers, and with the exception of the one with AIDS, all of them died very, very stupidly. The surviving brother dodged the draft by fleeing to Canada, leaving Patricia alone to care for her chauvinist father, Stan (Frank Moore). He’s in possession of a gold-plated Zippo lighter that prevented a bullet from killing him. He wanted nothing more than to pass it down to one of sons. Now Henry is in possession of it.