“Girl, all you
ever do is work!” A lot of stereotypes plague The Princess
and the Frog, from character designs to language and slang. In fact,
most of the movie feeds off of marginally racist, largely ethnic
cataloguing. Although an odd inclusion for a Disney film, the various
standardizing is incredibly humorous, right down to a trio of supporting
villains who are toothless, fingerless, shoeless, brainless inbreeds,
and a crazy blind woman living in a boat in a tree, cooking gumbo
in a bathtub. At least the expected family-friendly morals of working
hard and recognizing that money doesn’t provide happiness
are present, and every main character gets to sing about it in their
own song and dance routine.
A welcome return to traditional animation, with changes in animation
styles to highlight specific sequences and unobtrusive CG effects,
The Princess and the Frog succeeds in placing an entertaining
twist on a classic fairy tale. Voodoo practitioner Dr. Facilier’s
spookily detached shadow, background characters doing hilarious
skits, sidekick Charlotte (Jennifer Cody) stealing the show with
her supercharged snobbery, and much more “squash and stretch”
theatrics than seen in 3D features are all key points of interest.
It’s a jazzier, more contemporary animation, and thankfully
superior to the last several of Disney’s hand-drawn works.
- The Massie Twins
Bravo 2d Disney!