Every objective for
Ferris is surrounded by side missions, conflicting intelligence
gathering, and double-crosses from both his government and the Jordan
secret police group headed by Hani (Mark Strong). As the media is
manipulated along with everyone involved in the uncovering of terrorist
bombings across Europe, Ferris invents a fictitious alternate terrorist
brotherhood to ferret out Al Saleem, a treacherous man known to
be involved with the majority of the anonymous attacks. As Hoffman
works to preserve his agents’ involvement and Hani feeds his
own ego, Ferris is confronted with several shocking revelations
and choices that could ultimately lead to the death of his newfound
love interest as well as his own.
Body of Lies doesn’t slow down to let the viewer catch
up to all of the fast-talking political jargon, in-depth public
opinion trajectory issues, and the guerilla warfare tactics employed
by the allegedly unsophisticated enemy. If you miss something,
you’re on your own. But this breakneck pace coupled with
relentless explosions and firefights, fierce chase sequences,
grueling torture and continual brushes with death allows for blistering
intensity and an experienced examination of suspense. Scott persists
with plenty of close-ups that keep audiences on the edge of their
seats, afraid of the next bullet or bomb that will certainly strike
onscreen.
While the structure found within Body of Lies is one not unfamiliar
to Scott’s films, the flawless acting by both Crowe and
DiCaprio paired with an intricate plot of trust and betrayal keeps
the anticipation from ever backing down. A few of the twists may
be predictable, but the deceptive motives of each character will
keep you guessing their reactions until the unsettling conclusion.
Body of Lies isn’t Scott’s best, but it certainly
retains the finest elements of the masterful director’s
style, attention to detail, and cunning build of tension and suspense.
- The Massie Twins
No mention of Crowe's bad accent!?