Roselyn Sanchez is also
better-than-average in a relatively generic role as the love interest
who can never quite make it into the spotlight due to the focus
on little Peyton. Other supporting characters are mainly used for
comedy relief, except Stella (Kyra Sedgwick), Joe’s agent,
who is grossly unnecessary and overwhelmingly dislikable. Whether
her character was intended for laughs or not, she receives none,
and she is overbearingly detestable.
The Game Plan contains a healthy dose of family-friendly humor
and morally commendable lesson-laden drama, though they’re
clearly divided between the two halves of the film. After displaying
the hollowly extravagant lifestyle of Joe Kingman, the fish-out-of-water
transition when young Peyton is introduced brings plenty of laughs
and comically awkward situations as the egocentric football player
attempts to take on fatherhood. But shortly after the laughter
peaks with The Rock pirouetting in an elaborate ballet performance,
the mood abruptly shifts to drama and the tearjerker-style events
keep coming and little humor remains to lighten the serious tone.
Both the comedy and the drama prove entertaining, though the target
audience will certainly find the former more appealing. Several
lessons can be learned from The Game Plan (and a few are overly
pronounced) but The Rock’s standout scenes lie within his
honed comedic precision.
From ballet/football overlapping montages and signing autographs
across defamatory newspapers, to an unhealthy Elvis infatuation,
The Game Plan tries a little too hard to be grandiose and poignant,
and becomes cliché and predictable toward its conclusion.
Preachy at times, mushy at others, but with enough comedy to get
by, The Game Plan is sure to delight the audiences it was intended
for.
- The Massie Twins